RME ADI-2 PRO ANNIVERSARY EDITION AD/DA Converter Headphone Amp and USB DAC NEW

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RME ADI-2 PRO ANNIVERSARY EDITION AD/DA Converter Headphone Amp and USB DAC NEW

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RME ADI-2 PRO ANNIVERSARY EDITION  

Limited Edition High-End -Ultra-fidelity AD/DA Converter,
Headphone Amp & USB DAC

BRAND NEW – UNOPENED – WARRANTY

Theitem is coming with the power cable, provided with “continental” plug.Using a regular and inexpensive adapter, this technology allows theitem to be used in the UK.

Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter

Lastyear RME celebrated their 20th year anniversary, with the Germanmanufacturer announcing no less than four new products at Musikmesse2016.

One of those new devices was the RME ADI-2 Pro, afeature-packed update to the RME ADI-2, featuring incredibly preciseaudio quality, powerful headphone amplifiers, plus a host of innovativefeatures that will appeal to both mastering engineers and high-endaudio aficionados alike.

With the ADI-2 Pro proving popular inboth pro audio and Hifi circles, RME have chosen Musikmesse to unveiltheir new RME ADI-2 Pro Anniversary Edition.

Strictly limitedto 500 units worldwide, the RME ADI-2 Pro AE features the same soundand functionality as its namesake, but comes decked out in an all-blackhousing, matching the style of audiophile-level HiFi setups.

Anniversary Edition of the RME ADI-2 Pro
Limited to 500 units worldwide
High-End AD/DA Converter, Headphone Amp & USB DAC
1x Stereo Analogue I/O
1x ADAT or SPDIF I/O
2x Extreme Power Headphone Outputs
High-resolution IPS display
Auto Mode
1 x USB 2.0

RMEADI-2 Pro Anniversary Edition; limited edition; special to AE version:black housing, see-through top, 3 LEDs on the inside, thomannadditional metal shield optimizes crosstalk suppression between leftand right XLR input, 4 brushed Hi-Fi Feet, no holes for rackmountingkit, gold plated contacts; High-End USB AD/DA Converter & headphoneamplifier; sample frequencies up to 768 kHz (PCM); DSD-playback andrecording; 2 x analog in / 4 x thomann analog out (XLR und TS); 2 xextreme-power headphone amplifier; AES/EBU I/O XLR; SPDIF I/O coaxial;ADAT or SPDIF I/O optical; USB 2.0 (Class Compliant UAC 2.0 for usewith iOS devices); Sample Rate Converter; overload protection forheadphones; balanced mode for headphones; binaural crossfeed to emulatespeaker thomann playback; Bass / Treble / Loudness function; adjustablefilters for AD- and DA-converters; SteadyClock III technology;high-performance DSP; 5-band parametric EQ and Low Cut, separatelyadjustable for the left and right channel; level meter, power display,status display, volume/gain meter; 30-Band analyzer based on theDIGICheck technology; channel thomann status display; professionalfeatures: phase invert, width, mono, M/S processing; hi-qualityelectronic switches for reference level; load/store for all settings;audiophile PCB- and circuit design with selected components; FPGA basedFirmware – update by USB; Format: 9,5″ / 1 HE; System requirement:Windows 7 or above, Apple OSX thomann 10.6 or above, iOS 7 or above;incl. driver CD, manual, breakout cable for AES/EBU and SPDIF coax andexternal (lockable) power supply

Recommended Applications
High-end headphone amplifier

Universal monitoring controller

High-class A/D converter

Digital format converter

High-end audio interface for computer-based measuring systems

Suitable For The Following Users;
Audiophiles and high-end HiFi enthusiasts
Professional recording studios
Ambitious home users
Measurement laboratories

Analog Inputs

XLR

Input: XLR, servo-balanced Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS

Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA

Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA

Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz 20.5 kHz

Frequency response @ 96 kHz, -0.5 dB: 3 Hz 45.5 kHz

Frequency response @ 192 kHz, -1 dB: 2 Hz 92.7 kHz

Frequency response @ 384 kHz, -1 dB: < 1 Hz 124 kHz Frequency response @ 768 kHz, -3 dB: < 1 Hz 180 kHz THD @ -1 dBFS: -116 dB, 0.00016 % THD+N @ -1 dBFS: -112 dB, 0.00025 % Channel separation: > 110 dB

TRS

As input XLR, but:

Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA

Analog Outputs

1/2 XLR

Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS

Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA

Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA

Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz 20.2 kHz

Frequency response @ 96 kHz, -0.5 dB: 0 Hz 44.9 kHz

Frequency response @ 192 kHz, -1 dB: 0 Hz 88 kHz

THD @ -1 dBFS: -112 dB, 0.00025 %

THD+N @ -1 dBFS: -110 dB, 0.00032 %

THD @ -3 dBFS: -116 dB, 0.00016 %

Channel separation: > 110 dB

Output impedance: 200 Ohm balanced, 100 Ohm unbalanced

1/2 TS (rear)

As output XLR, but:

Output: 6.3 mm TS jack, unbalanced

Maximum output level: +19 dBu

Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA

Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA

Output impedance: 100 Ohm

Phones 1/2

As Output 1/2 TS, but:

Output: 6.3 mm TRS jack, unbalanced, stereo

Output impedance: 0.1 Ohm

Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA

Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA

Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V)

Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V)

THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %

THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %

THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB

Output Phones 3/4

As Output Phones 1/2, but:

Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu

Balanced Phones mode

As before, but:

Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V)

Output impedance: 0.2 Ohm

Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA

Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA

Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V)

Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V)

Max power @ 0.001% THD: 2.9 W per channel

 
Digital Inputs

General

Lock Range: 28 kHz 200 kHz

Jitter suppression: > 50 dB (2.4 kHz)

AES/EBU

1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

SPDIF compatible (IEC 60958)

SPDIF coaxial

1 x RCA, transformer-balanced, according to IEC 60958

AES/EBU compatible (AES3-1992)

SPDIF optical

1 x optical, according to IEC 60958

ADAT compatible

 Digital Outputs

AES/EBU

1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

Single Wire mode, sample rate 28 kHz up to 200 kHz

SPDIF coaxial

1 x RCA, according to IEC 60958

Single Wire mode, sample rate 28 kHz up to 200 kHz

SPDIF optical

1 x optical, according to IEC 60958

Sample rate 28 kHz up to 200 kHz

 Digital

Clocks: Internal, AES In, SPDIF In, ADAT In

Jitter suppression of external clocks: > 50 dB (2.4 kHz)

Supported sample rates for external clocks: 28 kHz up to 200

Internal Clocks: 44.1 kHz up to 768 kHz

General

Included power supply: external switching PSU, 100 – 240 V AC, 2 A, 24 Watts

Standby power consumption: 50 mW

Idle power consumption: 10 Watts, Max. power consumption: 22 Watts

Idle current at 12 V: 850 mA (10 Watts)

Dimensions (WxHxD): 215 x 44 x 130 mm (8.5″ x 1.73″ x 5.1″)

Differences between the RME ADI-2 Pro and the RME ADI-2 Pro AE
Three orange LEDs illuminate the PCB and the components.
Unique see-through top The plexi’s inside print (scratch protected) states ‘Anniversary Edition, 20 Years of RME’.
The rear TS double socket has gold-plated contacts, to match the front panel headphones connections.
Anadditional metal shield optimizes crosstalk suppression between theleft and right XLR inputs. The shield is similar to the one preventingcrosstalk from the TS outputs to XLR R input, which is a features ofall RME ADI Converters.
The four rubber feet have been replaced with four stylised Hi-Fi feet with brushed chrome design.
The four holes on the side of the original, designed to allow for rack ear mounting, have been removed.
A special sleeve and manual (with additional text and matching photo).

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